Simplify Color Correction Workflows. Fast.
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Fast, Easy, Efficient
Color Correction |
New
PictoColor®
iCorrect®
EditLab™
ProApp
6.0
is the
essential
application
for the
serious
photographer
providing
a
simplified
approach
to color
correcting
and
color
editing
large
volumes
of
digital
photographs
so you
can
spend
less
time in
front of
your
computer
and more
time
behind
your
camera.
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Sharpening
and Noise Removal
iCorrect EditLab ProApp includes two image processing
tools that go beyond color correction: sharpening and
noise removal.
With EditLab, you can apply
sharpening and noise removal in combination with color
correction. This is especially helpful in cases where
noise in an image is exaggerated by a color
transformation. Noise is commonly introduced into images
by digital cameras and scanners during the digitization
process. Applying a color correction to remove color
distortions typically "stretches" the color space, which
tends to make any noise even more noticeable.
Check the Sharpen
checkbox to apply unsharp masking to the image. Check
the Remove Noise checkbox to apply an adaptive
noise removal filter to the image. Note that the preview
image cannot display the effects of sharpening and noise
removal unless you are zoomed in because unlike color
corrections, these effects depend on the resolution of
the image. You must also have checked the
Preview Sharpening
and/or
Preview Noise Removal
checkboxes in the User Interface Preferences window.
This kind of image processing may cause a noticeable
delay in updating the preview. If you find it
objectionable, uncheck those preferences and use the
Sharpen / Noise Removal setup window to preview
these effects.
Click the Setup...
button to open the Sharpen / Remove Noise setup
window, from which you can set parameters that control
the strength of these effects:

The sharpen controls are
displayed only when the Sharpen checkbox in the
main window has been checked, and the noise removal
controls are displayed only when the Remove Noise
checkbox in the main window has been checked. Since
sharpening can also make noise more pronounced, if you
will be applying both effects, it is usually beneficial
to set them up and preview them together.
The image in the upper right is
a thumbnail of your complete image and is used for
navigation purposes. The marquee you see on it
represents that portion of the image which appears in
the view to the left. You may drag the marquee to pan
around the image.
The image on the left is a
close-up view of a smaller portion of the full image,
displayed after noise removal, color correction and
sharpening. You may zoom the image by clicking the +
and - buttons. You may pan around the image by
using the mouse to drag other portions of the image into
view.
Note that as you are panning
around the image, it is displayed without noise removal
and sharpening until you release the mouse button.
Similarly, as you adjust the slider controls, the image
is not updated until you release the mouse button.
The Sharpen Strength
slider value can range from 1 (very weak) to 24 (very
strong).

The noise removal controls are
grouped as Red Chrominance and Blue
Chrominance. The effect of the red chrominance
controls is seen primarily in the red channel of the
image, although it does have some small influence in
green and blue. Similarly, the blue chrominance controls
affect the blue channel most strongly, but also change
red and green by smaller amounts.
Properly set up, these controls
can do wonders towards removing unwanted noise without
destroying fine image detail. Improperly set up, they
can ruin your image. Therefore, it is important that you
take the time to carefully set these parameters. Our
experience to date has shown that once the proper
settings have been found for an image from a given
camera or scanner, these settings will work for other
images that come from that specific device. In other
words, you should not need to adjust these parameters on
an image-by-image basis.
With experience, you will
develop your own techniques for setting these controls,
but here is one method that seems to work well. Start by
setting all four sliders to their maximum values. These
maximum settings will probably result in problem areas
in your image, such as corners being "rounded off", and
loss of other color detail. This can be seen in the
neckline in the image on the left:

Explore your image, looking for
such problems. Then reduce the parameter values until
the problems just disappear. Adjust the blue chrominance
values first, followed by red chrominance. As a general
rule, you should use the largest threshold and radius
that does not change the overall tone of any region. The
goal is to remove the noise without changing the overall
tone.
We have found that "typical"
values (if there are such things) are radius of 4 to 8
and threshold of around 16.
Clicking the Restore
Defaults button will set all the controls in the
window to the factory default values, that is, the
values that were present when EditLab was first
installed.
Click the OK button to
save the new settings, or Cancel to return to the
main EditLab window without changing them.
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